David Starkey's Music and Monarchy

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[edit] General Information

Arts, History Documentary hosted by David Starkey, published by BBC in 2013 - English narration

[edit] Cover

[edit] Information

David Starkey's Music and Monarchy Historian David Starkey presents this documentary exploring the role Britain's kings and queens have played in shaping the nation's music. In much the same way as artists from other fields, musicians were often reliant on royal houses for patronage - with the vast resources possessed by the rulers of the nation often necessary to fund or stage the most ambitious projects. Starkey explores the influence of such patronage on the growth of music in Britain, tracing how even composers such as Purcell, Handel and Elgar were influenced by royal requirements, and the political significance of much of the resulting music.

[edit] Crown and Choir

Dr David Starkey reveals how the story of British music was shaped by its monarchy. In this first episode he begins with kings who were also composers - Henry V and Henry VIII - and the golden age of English music they presided over. He discovers how the military and religious ambitions of England's monarchy made its music the envy of Europe - and then brought it to the brink of destruction - and why British music still owes a huge debt to Queen Elizabeth I.

[edit] Revolutions

Dr David Starkey's exploration of how the monarchy shaped Britain's music reaches the 17th century, when religious conflict threatened not only the lives of musicians and monarchs, but the future of the monarchy and the glorious tradition of British music itself. And yet, in the midst of this upheaval, royalty presided over a series of musical breakthroughs - from the first chamber concerts and proto-operas, to the triumphant debut of the baroque orchestra. David also visits the Whitehall Banqueting House, home of the extravagant form which was the forerunner of opera in England - the court masque. And he explores how music was fought over by Puritans and Royalists - with the church organ proving a surprisingly bitter source of conflict.

[edit] Great British Music

Dr David Starkey's exploration of how the monarchy shaped Britain's music reaches the 18th century, when Great Britain became a dominant military and economic power, and the century which brought us patriotic classics such as God Save the King - the world's first national anthem - and Rule Britannia. Yet this was a time when the monarchy had never been more fragile, having lost much of its political and religious power and imported its ruling house from abroad. The supreme irony was that it was a musician from Germany, George Frideric Handel, who gave Great Britain and its new royal dynasty its distinctive musical voice. David also discovers the true stories behind Handel's Water Music, written to accompany George I on a trip along the Thames, as well as his Music for Royal Fireworks, full of military instruments at the insistence of the soldier-king George II. He also visits the country estate of Cliveden in Buckinghamshire, where Thomas Arne's Rule Britannia was first performed as an act of defiance by an heir to the throne.

[edit] Reinventions

Dr David Starkey's exploration of how the monarchy shaped Britain's music concludes with the 19th and 20th centuries, when the crown rediscovered the power of pageantry and ceremony and when native music experienced a renaissance. David discovers the royal origins of such classics as Edward Elgar's 'Land of Hope and Glory', Hubert Parry's 'I Was Glad' and William Walton's 'Crown Imperial', as well as finding out how the twentieth century's coronations - culminating in the crowning of Elizabeth II - cemented the repertory of royal classics in the hearts of the British people. He hears music written by Queen Victoria's beloved Albert, Prince Consort, played for him in Buckingham Palace on a lavish golden piano which was bought by Victoria and Albert themselves. There are also specially recorded performances from St Paul's Cathedral Choir and Westminster Abbey and of works by Felix Mendelssohn, Arthur Sullivan, Charles Villiers Stanford, and Ralph Vaughan Williams, as well as Hubert Parry's classic 'Jerusalem'.